Oneiron

Oneiron

by Laura Lindstedt
Translated by Owen F. Witesman
Published by Oneworld.
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WINNER OF THE FINLANDIA PRIZE

From the publisher:

Seven women meet in a white, undefined space seconds after their deaths.

Time, as we understand it, has ceased to exist, and all bodily sensations have disappeared. None of the women can remember what happened to them, where they are, or how they got there. They don’t know each other. In turn they try to remember, to piece together the fragments of their lives, their identities, their lost loves, and to pinpoint the moment they left their former lives behind.

Deftly playing with genres from essay to poetry, Oneiron is an astonishing work that explores the question of what follows death and delves deep into the lives and experiences of seven unforgettable women.

Laura Lindstedt (b. 1976) burst onto the Finnish literary scene in 2007 with her debut novel Scissors, which earned her a nomination for the Finlandia Prize, the country’s most prestigious literary honour. Lindstedt’s second novel Oneiron has continued Lindstedt’s critical success, earning her the 2015 Finlandia Prize. She lives in Helsinki.

Praise

‘This book is stunning, phenomenal, wow.’

– Cecelia Ahern, author of P.S. I Love You

‘Incredibly audacious.’

– Chicago Review of Books Most Anticipated Fiction Books of 2018

‘Reflective and full of depth, Finnish author Laura Lindstedt blends in elements of other genres such as poetry and essay to wrestle with some of life’s most difficult questions.’

– World Literature Today

‘Super-readable, but buckle up – things get a bit Black Mirror at times.’

– Cosmopolitan

Oneiron seems to rise effortlessly to the best of international literature.’

– Finlandia Prize Jury

‘In the sheer diversity of her characters, Lindstedt might be responding to other modern realities: genetic interconnections revealed by DNA tests; global migration and interdependence; the random array of newspaper obituaries that follow a terrorist attack; and the boundary-breaking and community-building properties of social media, two years before the rise of the #MeToo movement.’

– Public Books

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